Oil spots can prevent pigment from laying down evenly onto the paper. Two warnings: 1) Fingers contain natural oils that can leave residue on your paper. They're easy to use and give you the control of how much pressure to apply when blending. Good-ol-fashioned fingers will do the trick in a pinch. TIP: Don't use tissues with lotion as these don't mix as well with paper and art mediums. Kirsty is able to smooth out areas of the background quickly with this technique. They don't have the softness of a brush, so Kirsty uses them when she has sharper, more defined edges to blend versus the lighter, smoother gradations that are achieved with the brush.Ī tissue wrapped around a finger works great for large areas of shading which don't require as much precision. The soft bristles and precise tip of the brush give her great control and allow her to get into the smaller, detailed areas of her drawing.īlending stumps have a pointed tip that allows shading of small areas. Kirsty uses a Daler-Rowney Aquafine 4 Round Brush to gently shade areas of her drawing. Artist Kirsty Partridge uses a range of techniques to shade and blend her charcoal drawings for a smooth, realistic look.
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